Everybody knows who is Little Red Riding Hood, but perhaps anybody doesn't know the story of Little Green Riding Hood...
Gabriele Basilico’s Istanbul includes unpublished photographs shot in 2005 and to which he turned again in 2010.
The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides.
An ever-present mist, the steep outline of the horizon and the light that evaporates from the illuminated roads create a backdrop for the city’s architectural landscape: the anonymous verticality of new tower blocks and the overcrowded horizontal lines of never ending suburbs.
FUOCO fuochino is a compilation from writer-friends who have generously given a short story, some poetry or their thoughts in the name of a common passion for literature.
Is oblivion nothingness?
No. Nothingness is formless and oblivion is circular.
The clouds in the Oculus of the Bridal Chamber, painted by Andrea Mantegna at St George’s Castle in Mantua, are the starting point for an intimate dialogue between father and daughter John and Katya Berger, held as they observe the frescoes in the famous room.
The conversation leads to a personal exploration of Mantegna’s masterpiece, the infinite complexity of the reality it represents and the human and artistic events that lie below the surface.
An enlivened counting book, in which the numbers appear on the page in a sort of endless geometric dance.
One to ten and the other way round: behind each number is hidden its complementary one, which is revealed by turning the page.
A double dimension and a parallel reading, an unexpected way to imagine each number by its shape, thanks to an original and immediate graphic layout.
Music, theatre, image and colour arise from the improvisation of a gesture. A starry night and a dancing cat come out from a point, a line and a white page.
A book in which images are evokated only by words.
The book contains four sample projects for new-style communities. Four stories told through words, pictures and suggestions about the design potential surrounding everyday living.
Every gesture and action, even the simplest, is a project.
The key words in design – method and precision – can be seen in everything: an inventory is the most effective way of collecting, ordering and deciphering everything we encounter.
With a little help of imagination, a dark and desert cellar can become a thick and knotty jungle, full of curious plants and animals, sometimes quarrelsome but always ready to be involved in new fairy adventures.
Suzy Lee’s illustrations – rendered in charcoal, pencil, watercolor, spray paint (lacquer) and digitally manipulated – accompany the reader in a new fresh visual experience, naturally simple and with an ironic and suspended end...